lost and found - 1992
Le Cadre Gallery - Hong Kong
Simon Lane
Nathalie du Pasquier makes mole-hills out of mountains, she is a magician who specializes
in the topography of the soul. Her paintings are sculpted dreams, they lead
us, discreetly, into the hidden orbit of a distant world. The artist did not
choose this world, it chose her, and what lies within it may also lie within
us. This recital of visual poetry opens our eyes to the dusty, neglected corners
of our imagination. We see what she sees and we lose ourselves within her field
of vision.
Deserted plains, abandoned cranes, objects lost and found, the passing
traffic of a restless mind, a stone giant bending into shadow, lone trees, houses
and horses, stout, protective walls without gates, curved horizons brought forwards
by the endless trick of a vanishing perspective.
A painterly painter, fingers
stained with. the emulsion of her dreams, Nathalie du Pasquier revels in sweet
contradictions: symbols which invite and dismiss interpretation; time trapped,
both fleeting and infinite, free and frozen, east into stone or laid on a table
forever set for two; private gardens growing through the picture frame; the
immobile foundations of a transitory world, a steaming tanker stuck in a thick,
blue sea, a park bench flying gracefully below a stilled turtle-dove. We who
watch can trace a singular mythology, a journey without end, a map-less odyssey
and, as we do so, we are privileged with a voyeur's glimpse of the artist's
busy sleep.